25-28.11.2022
Mit dem Film Perestroika
Гегенвартскунст – Gegenwartskunst
25-28.11.2022
Mit dem Film Perestroika
Galerie Maerz – Eisenbahngasse 20, Linz
KUNSTZELLE vor dem MuseumsQuartier Wien
Mi 14.9.2022, 18.00 Uhr – 21.30 Uhr
07.06. – 12.06.2022
Installation by “Very Real Estate” group (Stefanie Koemeda, Sascha Alexandra Zaitseva, Cristina Fiorenza, Veronika Dirnhofer and Anna Khodorkovskaya)
VBKÖ (Austrian Association of Women Artists) 2021 ; Vienna Art Week 2021
In the REAL ESTATE exhibition, Stefanie Koemeda, Sascha Alexandra Zaitseva, Cristina Fiorenza, Veronika Dirnhofer and Anna Khodorkovskaya, refer to historically grown and economically formative questions of the representation and of the spaces of female artists.
Fotos © Simon Veres
The VBKÖ (Austrian Association of Women Artists), the oldest artists’ association still existing in the same place, has been based in a rented property on the top floor in Maysedergasse since 1912. Compared to the two other important artists’ associations in the immediate vicinity – Künstlerhaus and Secession – the VBKÖ, as an art association always run by and for women, has none obviously visible and representative spaces available. The economic disadvantage of a rental property since it was founded is evident. The visibility and publicity is disproportionately smaller. A demand for a separate building for the VBKÖ in central Vienna dates back to the founding of the VBKÖ and was repeatedly discussed – but never realised.
21.04. – 24.04.2022
2021 student project – Lahmer/Van Houtert/Assinger/Goidinger/Stocker/Zaitseva
Wo ist die Innen*stadt? – (re)name the space
2021 student project – Lahmer/Van Houtert/Assinger/Goidinger/Stocker/Zaitseva
Elsa Plainacher Collective – named after a women, who was publically burned as a „witch“ in Vienna – carried out a participatory action in Seestadt. On Wangari-Maathai-Square, street signs with the names of female protagonists were made from the „Karlsplatz-clay“ that was excavated in the course of the construction of the Vienna subway in the 70this, and that was made available to the ceramic studio. As a feminist criticism of the male-dominated urban order, the signs were distributed in the city center.
Photos: Annalena Stocker/Sascha Alexandra Zaitseva
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