mit: István Antal, Sepp Auer, Judith Fegerl, Miriam Hamann, Lotte Lyon, Leopold Kessler, Michael Kienzer, Miriam Laussegger/Sascha A. Zaitseva, Sun Li Lian Obwegeser, Arnold Reinthaler, Betty Wimmer kuratiert von Daniela Wageneder-Stelzhammer
Installation by “Very Real Estate” group (Stefanie Koemeda, Sascha Alexandra Zaitseva, Cristina Fiorenza, Veronika Dirnhofer and Anna Khodorkovskaya) VBKÖ (Austrian Association of Women Artists) 2021 ; Vienna Art Week 2021
In the REAL ESTATE exhibition, Stefanie Koemeda, Sascha Alexandra Zaitseva, Cristina Fiorenza, Veronika Dirnhofer and Anna Khodorkovskaya, refer to historically grown and economically formative questions of the representation and of the spaces of female artists.
The VBKÖ (Austrian Association of Women Artists), the oldest artists’ association still existing in the same place, has been based in a rented property on the top floor in Maysedergasse since 1912. Compared to the two other important artists’ associations in the immediate vicinity – Künstlerhaus and Secession – the VBKÖ, as an art association always run by and for women, has none obviously visible and representative spaces available. The economic disadvantage of a rental property since it was founded is evident. The visibility and publicity is disproportionately smaller. A demand for a separate building for the VBKÖ in central Vienna dates back to the founding of the VBKÖ and was repeatedly discussed – but never realised.
Wo ist die Innen*stadt? — (re)name the space 2021 student project — Lahmer/Van Houtert/Assinger/Goidinger/Stocker/Zaitseva Elsa Plainacher Collective – named after a women, who was publically burned as a „witch“ in Vienna – carried out a participatory action in Seestadt. On Wangari-Maathai-Square, street signs with the names of female protagonists were made from the „Karlsplatz-clay“ that was excavated in the course of the construction of the Vienna subway in the 70this, and that was made available to the ceramic studio. As a feminist criticism of the male-dominated urban order, the signs were distributed in the city center.
Photos: Annalena Stocker/Sascha Alexandra Zaitseva
2021 — student project — as part of the course feminist philosophy and ceramics in action with Maria Bussmann and the students of the university of applied arts
2021 student project Zaitseva/Bussmann Thinking, researching, philosophizing: feminist! In a new form we want to do both; form thoughts and form ideas, give space to intersection, networking, exploration. When Helene Cixous calls for an „Ecriture feminine“ in „The laugh of the Medusa“, or evokes Homeric epics and heroes in the tenderly painful description of her mother‘s dying („Ma Ho-mère est morte“), images can transform directly into SOUND and FORM. What emerges is nothing less than a claim to a new feminist sculpture. The work was done with Viennese clay from Karlsplatz, after which the molded material was returned to the Vienna River to dissolve.
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